Dialog through art

Stories
surface here.

The knowledge is already in the room. We build the rooms that let it move — then hand over the craft, so the next one doesn’t need us.

Step into a room ↗
All of it opens in a browser — no sign-up, no install. Four communities in 360°, a sound walk down a real street, today’s civic forecast, and a philosopher who answers back.
HOLDING · LIVE
N 28.542 · W 81.396
Parramore
Orlando · FL · NIYC · a corner the kids carry
Walk into this one ↗
Lit Fuse Studios The knowledge was already here Collective Memory ↗ Living Archive ↗ The Invisible Choir ↗ Community 360° Builder Squinch The Garden of Epicurus ↗ GLYPH.LAB Studio Asili The Civic Forecast ↗ Phone · classroom · wall · dome · headset · street Pawtucket · Parramore · Clarksdale · Puebla · Berlin 9 · 9 · 26 · the unbinding Lit Fuse Studios The knowledge was already here Collective Memory ↗ Living Archive ↗ The Invisible Choir ↗ Community 360° Builder Squinch The Garden of Epicurus ↗ GLYPH.LAB Studio Asili The Civic Forecast ↗ Phone · classroom · wall · dome · headset · street Pawtucket · Parramore · Clarksdale · Puebla · Berlin 9 · 9 · 26 · the unbinding
What Lit Fuse Studios is

A fuse catches when a story finally finds its room. We’re a community making the rooms ourselves — and the craft to keep lighting them.

We make immersive pieces with our own communities and put them wherever there’s a surface — a phone, a community-center wall, a planetarium ceiling. Held with consent and citation, not extracted. Then we open the craft.

01
Education
& Civic Media
Community gathering in Mexico From Puebla · community workshop
Curriculums
that talk back.
360° pieces our students step into, sit with, and add their own voice to. Immersive education, civic media, classroom dialogue. Workshops on building your own space. A growing library — free for community use.
Step in →
02
Immersive
Culture
Inside the immersive piece — voices in the room In the room · voices in motion
Voices that
fill the room.
Where sound, music, image, and testimony share the same room. Installations our communities build with our open craft, in spaces we already meet in — documentary, culture, music, all on the same surface.
Step in →
03
The
Craft
The Community 360 Builder open on a Parramore youth-center court The 360° Builder · open, on a real block
Our open
craft.
The 360° Builder. Squinch. The Invisible Choir. Asili. The venue engine underneath all of it. Tools we built because no one was building them for us — opened up so others can too. Most of them run in a browser, free.
Step in →
Clarksdale · Mississippi · after the last set

None of this was ours
to invent.

It was already in the room — on the porch, at the table, down the block. What was missing was a way for it to travel without somebody else owning it on the way out.

See what we built ↗
Open · running right now

Don’t take
our word for it.

A room you can stand in, a street you can walk, and someone you can argue with. All three open in a browser, right now, with no sign-up. If they don’t move you, none of the rest matters.

And one that rewrites itself
Live · new every morning at 6am Today’s forecast for American democracy The Civic Forecast reads six public sources overnight — the courts, Congress, the Federal Register, the streets — and turns them into one word. Today it says mild. Some days it doesn’t.
Bebelplatz, Berlin · 9 September 2006

One table.
One seat still empty.

116 people sat down for two days and answered the questions nobody had solved — on power, money, war, faith, whether a child can bloom. Every answer was filmed. Then the tape sat for twenty years.

On 9 September 2026, twenty years to the day, the table is set again. The empty chair was left on purpose.

0voices at the table
0answers, all searchable
0years the tape sat
—days until the table is set again
Take the seat ↗ Read the 10,583 answers
116 voices, one tableevery seat is a person · every answer is filmed
The film · 2 min What the table isPlay with sound
The craft · we run these with you

These four we
don’t hand over cold.

Handing someone a blank screen and walking away is how good projects die. We open them with you, around what you’re actually trying to do. Twenty minutes tells us both whether there’s something here.

The Community 360° Builder with a Parramore street scene loaded and the editing panel open
Authoring

Community 360° Builder

Start from a world we already built, drop your people’s voices into it, share the link. Runs on a phone. The hard part isn’t the software — it’s who you gather and what you ask them.

Squinch showing a voice roster and a dome venue with the surface rail across the bottom
Venue preview

Squinch

Move one piece along every surface — phone, wall, classroom, pop-up dome, planetarium, a wall-and-floor room — before you book anything. Tell us your room and we’ll show you yours.

Asili’s national atlas view — a US map with its dimension legend, shown as an illustrative preview
Listening

Asili

Reads a community’s own words back through lenses that community chose. It’s a lens, not a verdict — which is exactly why we won’t leave it running unattended.

GLYPH.LAB Studio rendering living 3D typography with the studio controls open
Workshop

GLYPH.LAB Studio

A word becomes living type, and a whole room edits the same piece at once. Twenty minutes of this opens up a class that wouldn’t talk. That’s the part we bring.

Twenty minutes, screen shared, your actual situation.

Tell us the room, the group, or the question you’re sitting with. We’ll open whichever of these fits and you’ll know quickly if it’s real. No deck.

Set up a walkthrough →
Where we stand · the work and why
Not into the light. To the surface.
Manifesto · lineage · values · 4-min read

Knowledge from our communities has been undervalued by default — by museums, by curricula, by the rooms where culture is decided. Whose voice counts as voice. Whose story gets to be canon. We don’t want better metaphors for that. We want the rooms.

A planetarium showing the night sky from a Mississippi porch. A museum room holding a market in Puebla. A Berlin table opened back up for the next twenty years. Same tools, same dignity — not as exception, but as the work.

The lineage runs from Ralph Ellison’s basement to the curriculum committees and back. Visibility on our own terms. Light we made for ourselves. Both rooms are ours; neither is the only one.

We build forward. Gaussian-splat 360° capture. Object-based audio that knows the room it’s playing in. Immersive pieces designed for documentary, civic media, and education in the same breath. The pedagogy comes first; the tooling serves it.

01
Whose hand
holds the microphone when the recording starts.
02
Whose consent
is on file when the piece ships.
03
Whose neighborhood
owns the archive after it’s made.
A note from inside the work

The spatial web is being built right now — mostly without us.

Apple, Meta and Google are scanning every street to build their version of spatial reality. Our neighborhoods become the backdrop. Voices already extracted from us once flow out of our hands a second time.

So we built what we needed. The worlds, the archive and the walk are open to anyone right now. The rest we open with people, because a tool handed over cold is a project that dies in month two. If you’re building for the same reason, come talk to us. The work is more interesting together.

Digital sovereignty, for us, is plain. Whose hand holds the microphone. Whose consent is on file when it ships. Whose neighborhood owns the archive after — not just sits inside it. If you’re building your own tools for the same reason — we want to know you. The work is more interesting together.

— Lit Fuse Studios · with Civic Designers
One way in

Tell us what you’re sitting with.

A room, a class, a group, a question. Write it, say it, or film it — whichever is faster for you.

It goes straight to whoever would actually do the work — no queue, no account manager, no drip. Usually answered inside 48 hours, including “this isn’t for us” if that’s the honest answer.